Figure Drawing Education
Three course formats, one clear goal — building the ability to draw the human figure with confidence. Each format fits a different pace and budget, from self-directed study to direct instructor time.
Each option is structured around the same core curriculum — what changes is how much direct instructor contact you get and how fast you move through the material.
The full lecture series split into 40 focused segments, each covering one concept — proportion systems, gesture rhythm, weight distribution, foreshortening, and rendering logic.
An 8-week cohort with weekly live sessions. The instructor demonstrates, students draw, and critique happens in real time. Groups are kept under 12 people so feedback is personal.
A focused 60-minute session where a senior instructor looks at your current work, identifies specific gaps, and outlines exactly what to practice next. No generic advice.
The content builds sequentially — each module assumes you have absorbed the previous one. Skipping ahead is possible, but most students find the order helps concepts stick.
30-second and 2-minute timed exercises train the hand to capture movement before anatomy. Speed here is intentional, not rushed.
Head-height measurement, torso-to-leg ratios, shoulder width. These are rules with known exceptions — both are covered explicitly.
Only the points that surface visibly under skin — clavicle ends, iliac crest, knee cap, ankle. No memorizing full skeleton names.
Simplified muscle forms treated as overlapping volumes. The goal is understanding how shapes push against each other, not anatomical labels.
The hardest module for most students. Overlapping shapes, compressed forms, and reference strategies are addressed here over 6 lecture segments.
Single-light-source setups applied to cylindrical and spherical forms. Shadow shapes, core shadows, and reflected light — in that sequence.
Two practitioners who spend more time drawing than teaching — which is probably the right ratio for anyone guiding students through this material.
Senior Instructor, Anatomy
Oleksii has been drawing from life since his architectural drafting days and shifted fully to figure work about a decade ago. His lectures on foreshortening are where most students say things click for the first time.
Instructor, Gesture & Rendering
Daryna's background is in editorial illustration, and it shows in how she explains light logic — practical, fast, visual. She leads the group cohorts and handles the one-on-one portfolio sessions.
Write to help@mireloxia.com and describe where you currently are in your drawing practice. The reply will be specific, not a sales script.
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